How could you draw the curtain aside which hides the great and holy places of life—you, who have never loved?” “You have become French to the core,” she murmured. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. He had not proceeded far when he was alarmed by the tramp of a horse, which seemed to be rapidly approaching, and he had scarcely time to leap the hedge and conceal himself behind a tree, when a tall man, enveloped in an ample cloak, with his hat pulled over his brows, rode by at full speed. This one was Henry Esmond, that one the melancholy Marius, and so forth and so on; never any villains.
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