Ann Veronica had had some training at the Tredgold College in disentangling threads from confused statements, and she had a curious persuasion that in all this fluent muddle there was something—something real, something that signified. Either you have had to love people or hate them—which is a sort of love, too, in its way—to get anything out of them. She saw herself begin a slow, sinuous dance: and stop suddenly in the middle of a figure, conscious that the dance was not impromptu, her own, but native—the same dance she had quitted but a few minutes gone. She got into rows through meddling with their shoes and tennis-rackets, and had moments of carefully concealed admiration when she was privileged to see them just before her bedtime, rather radiantly dressed in white or pink or amber and prepared to go out with her mother. He reached the top floor and ran down the corridor to the little dressing room at the end where he had lost her before. ~THE END~ [Illustration: Distinctive Pictures Photoplay The Ragged Edge MIMI PALMERI AS RUTH ENSCHEDE ALFRED LUNT AS HOWARD SPURLOCK] [Illustration: Distinctive Pictures Photoplay The Ragged Edge A SCENE FROM THE PHOTOPLAY] [Illustration: Distinctive Pictures Photoplay The Ragged Edge A SCENE FROM THE PHOTOPLAY] [Illustration: Distinctive Pictures Photoplay The Ragged Edge A SCENE FROM THE PHOTOPLAY] End of the Project Gutenberg EBook of The Ragged Edge, by Harold MacGrath *** END OF THIS PROJECT GUTENBERG EBOOK THE RAGGED EDGE *** ***** This file should be named 15614-8. It is useless to trace out her miserable career; though I can easily do so if you require it. " "I could make a fine sketch of him now," whispered Hogarth to Gay.
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