I wrenched this off, and in an envelope addressed to me in faded ink, I found the locket and the pearls. To recreate the era, I deliberately tried to avoid creating a thinly disguised bodice ripper where an “empowered” woman mouthed off to prospective suitors in jerkins and tights, in other words, a typical romance novel. He glanced at Ruth (who had stood with her back to the wall, pinned there throughout the contest by terror and the knowledge of her own helplessness), then at the bronze menace, and calculated correctly that this particular adventure was finished. Wrenched from their holds, the iron palisades in front of the thief-taker's dwelling were used as weapons to burst open the door. Capes sat watching and admiring her, and then he fell praising the day and fortune and their love for each other. Capes looked at one and not over one, spoke to one, treated one as a visible concrete fact. Wood was dressed with more than ordinary care, and in more than ordinary finery. Men and women are not established things; they’re experiments, all of them.
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