Jonathan shook his head. And put ‘em in little books for remembrance. There were neither texts nor rubbish on the walls, but only a stirring version of Belshazzar’s feast, a steel engraving in the early Victorian manner that had some satisfactory blacks. He recognised Anna, and at once addressed her. It ceased to be the symbol of liberty and a remote and quite abstracted person, and became suddenly and very disagreeably the token of a large and portentous body visible and tangible.
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