She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. Here he was preparing to leap over the hedge into the fields on the left, when he was intercepted by two horsemen, who, hearing the shouts, rode up and struck at him with the butt-ends of their heavy riding-whips. Of course she had taken the boy as her lover, acting as his muse. ” “Not in the least,” Anna answered calmly. Sydney Courtlaw—Mr.
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