"But to drag this innocent child into the muck! With her head full of book nonsense—love stories and fairy stories! Have you any idea of the tragedy she is bound to stumble upon some day? I don't care about you. She has blue eyes, and her figure is more full. “Anyway, enough about that. ” It was as if she faced a darkness in which was something very beautiful and wonderful as yet unimagined. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Every slight action is influenced by what he imagines would be the opinion of other people. “Oh, I am lonely,” she moaned. I need scarcely ask whether you've executed your appointed task, my dear? You're never behindhand. Let us part in peace. She could not help but swoon a little.
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