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“Dear John,” she whispered. Civil engineering. The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. The colouring was green and white, with softly shaded electric lights, an alcove bedstead, which was a miracle of daintiness, white furniture, and a long low dressing-table littered all over with a multitude of daintily fashioned toilet appliances. “I wonder if it is. They might applaud, or object, or interfere, but the drama was her very own. The man’s statement was explicit, and spoken with confidence.
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