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The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. Sindlesham tried. Everything. The only part of his otherwise-interesting countenance, to which one could decidedly object, was the mouth; a feature that, more than any other, is conceived to betray the animal propensities of the possessor. FOREWORD Forever Fifteen was born of a dream I had in 2002, a dream that was part nightmare.
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