" The carpenter, upon whom no part of this hurried dialogue had been lost, now made his appearance, and having obtained from Terence all the information which that personage could impart respecting the perilous situation of Thames, he declared himself ready to start to Saint Giles's at once, and ran back to the room for his hat and stick; expressing his firm determination, as he pocketed his constable's staff with which he thought it expedient to arm himself, of being direfully revenged upon the thief-taker: a determination in which he was strongly encouraged by his wife. She speedily reached her own abode,—a little cottage, standing in the outskirts of the village. “I wish this hadn’t turned up to-day of all days. She visualized him as in a policeman’s uniform and quite impassive. She said as much to him. Fortescue tried to act embarrassment in order to conceal its reality, and Ann Veronica went on to ask a string of questions about acting, and whether her sister would act, and was she beautiful enough for it, and who would make her dresses, and so on. And through all these defences and into Old Palace Yard, into the very vitals of the defenders’ position, lumbered the unsuspected vans. “You remember the man in Paris who used to follow me about—Meysey Hill they called him?” He nodded. His eyes looked a little bloodshot to her; his face had lost something of its ruddy freshness. Remember that I’ve seen Brewis Charvill, and I’m well aware of your identity. What he there noticed occasioned a marked change in his demeanour. Ann Veronica stared at his foolish, propitiatory smile, his hungry gaze, through one moment of amazement, then stepped aside and went on her way with a quickened step. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her.
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