Notwithstanding the remonstrances of Wood and Winifred, Thames instantly followed the domestic, and found a man, with his face muffled up, at the door, as she had described. ‘Dieu du ciel, for what do you take me?’ ‘I don’t know,’ he threw at her. The door into the passage offered itself with an irresistible invitation—the one alternative to a public, inexplicable passion of weeping. ” An awkward moment of silence followed.
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