"Hear me," he cried, restraining himself with difficulty. ‘Why do you stand there? Take him up, and bring him out at once. " "Poh! poh! say no more about it," rejoined the man hastily. "Yes … but dreadfully tired. . Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. He came over to me. "Before you go, bring me the bottle of pineapple rum I opened yesterday. Open it. "Here's a door," remarked Ireton, when he got to that nearest the leads, "which I could have sworn would have resisted anything. . “No,” she said at last; “I’m a human being—not a timid female. Not a word was uttered by the assemblage; but a hush of expectation reigned throughout. I will no longer be a burthen to those upon whom I have no claim, but compassion.
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