In his muscular pudgy hand was a photograph, frayed at the corners, soiled from the contact of many hands: the portrait of a youth of eighteen. He dodged the boot this time, and smashed his left upon the Wastrel's lips, leaving them bloody pulp. Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth.
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